![]() ![]() The colors and styles are meant to depict the social/economic station of each character in the story and, in some cases, to incorporate signature elements of specific characters such as ruling monarchs or the clergy. ![]() Marionette costumes are made of cotton, felt, fur, wool, burlap and brocade. They provided power to the mechanical puppet, and at the same time served as its strings, controlling it and binding it. The contrast is so great as to be fearful. The colors that flow within them are sometimes dull, and at others, vibrant. For more elaborate marionettes, there is a second piece of removable wood that rests just above the top part of the cross and controls the leg movements of the puppet. Tubes that were inserted into the mechanical puppets back. The strings are attached by heavy staples or metal screws to two pieces of lightweight wood that are glued together to resemble a cross. More elaborate marionettes will have strings to operate their jaws and eyes as well as strings attached to the shoulders, elbows, hips, and backsides. At a minimum, strings are attached to the head, hands, knee joints and feet. The strings that control a marionette's movements need to be sturdy enough to support the puppet's weight but not so thick that they become a distraction. When dry, add spots to the white head and body with a black marker pen. Next, paint the head and body with white paint and leave to dry. Leave the other roll whole to make the body. Ball bearings are often sewn into the body cavity, arms and legs so the character won't flap around during a breezy afternoon performance. To make the dog’s head, carefully cut a toilet roll in half with a craft knife, and discard one piece. Plastic, rubber or wooden dowels comprise the skeletal framework cotton or rags stuffed inside a muslin or knit casing are what give the character its form and contours. The body of a marionette is soft for flexibility.
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